Tag Archives: touring

On Tour: Bloomsburg, PA

21 Nov

October 16, 2017 | Oil & Water | Bloomsburg, PA

The Road to Bloomsburg

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The Road to Bloomsburg, PA is both beautiful and blighted, with breathtaking views of rivers and forests, as well as vivid reminders of an energy industry that is dead, dying, or fraught.

The route winds through Schuylkill County to Ashland, a crumbling coal town that announces itself from a sign on the chain-link fence surrounding a football field. The “Ashland Black Diamonds” won the Pennsylvania state high school football champions back in 1935. I was struck by the sight, as Oil & Water features footage of a similar athletic field in a poor Ecuadorian oil town, only there the sign on the fence says “Bienvenido” (welcome), with a smiling oil drop mascot.

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Grayish buildings and weathered banners bearing the photos of war veterans line the full length of the main road through town. Ashland’s glory days ended with the Great Depression and the coal mine was closed. Just north of Ashland lies Centralia, an abandoned and polluted town where an underground mine fire has burned since 1962.

From there, the road winds through lushly forest hills to Bloomsburg on the banks of the Susquehanna River. Bloomsburg is an oasis made up of tidy homes and businesses in a valley that looks up the hill to stately Bloomsburg University. Here I was welcomed by Civic Engagement Coordinator Tim Pelton. Tim is the affable former editor of a leading scuba diving magazine, who has stories to tell about working with Jacque Cousteau as well as film crews from the James Bond franchise. Before the screening we chatted about the state of the journalism profession (I’m a former newspaper reporter) and the other environmental films he brings to the university.

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Tim Pelton (left) and Francine Strickwerda

Tim facilitated an engaging discussion with Bloomsburg students and local community members who asked smart, heartfelt questions following the screening of Oil & Water. One audience member wanted to know what I got personally from my experience directing Oil & Water. Filmmaking allows me to explore and find meaning, especially in dark places. With Hugo and David’s story we shined a light on a terrible injustice and saw hope for the future; something we all need. Further, sharing that story in person with communities like Bloomsburg increases the impact and grows connections, and that is awesome.

While my trip to the university was too brief, Tim’s warmth and the earnest interest showed by audience members left an impression. I was buoyed by the people I met and their concern for the world around them, from their own backyard, all the way to Ecuador. As I drove away from the town, toward my next stop on the tour, I wound back past Ashland, the rivers, and the trees.

Post provided by On Screen/In Person touring filmmaker Francine Strickwerda

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On Tour: Germantown, MD

21 Nov

October 15, 2017 | Oil & Water | Germantown, MD

A Gentleman (from the Amazon) and a Scholar

Once you finish a film, it takes on a life of its own. The people you spend so much time filming and learning about must go their own way. It can be hard to let the story and people go. I found this to be especially true for Oil & Water, after we spent seven years dropping into the lives of our characters for brief and intense sprints of filming in the U.S. and Ecuador.

Every so often we hear from the stars of Oil & Water, boys we watched grow into amazing men. Recently we got some news from main character Hugo Lucitante that I’ve been crowing about at every Oil & Water screening on the Mid Atlantic Arts Foundation tour.

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Black Rock Arts Center

One of Hugo’s greatest personal challenges in the film was his struggle to get a college education. This is the dream of so many Americans, but an almost impossible feat for a kid from a small, endangered tribe in the remote jungles of the Ecuadorian Amazon. We saw Hugo return to Ecuador after growing up mostly in Seattle. He traveled home knowing that he was expected to help fight the oil companies, armed only with a high school diploma.  Hugo dealt with culture shock and the demands of tribal membership, and eventually, becoming a husband and father. When the pressures became too much, Hugo and his wife Sadie moved back to the U.S. for a while to sling burritos, clerk in a video store, and serve cocktails. Like so many Americans, Hugo worked more than one minimum wage job at a time, and still barely made ends meet.

Today, Hugo is more than achieving his goal. He and his wife Sadie are both studying at Brown University on full ride scholarships. They make regular trips back to the Amazon to do research projects and work on behalf of their Cofan community. But wait, it gets better. The biggest news is that when Hugo graduates with his bachelor’s degree a year from now, he’s headed into a PhD program.

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Director Francine Strickwerda with Black Rock Arts Center’s Brian Laird

Hugo has been awarded a prestigious Mellon Mays Undergraduate Fellowship. As a fellow, Hugo is supported by a program that increases the number of PhD candidates from historically underrepresented racial and ethnic groups. This is huge news for Hugo, and for his Cofan tribe, a people who have been under siege from the oil industry for decades, and who have fought their way back from the brink of extinction.

This past week on Mid Atlantic Arts tour, I was passing time at a flea market between screenings, when I met a group of locals who also happen to be Ecuadorian immigrants. I invited them to join me at the screening at the Black Rock Arts Center in Germantown, Maryland, and they took me up on the offer. Like me, they were profoundly moved by Hugo’s story of hope. As I share his story on the film tour, people from all walks of life just light up. And for people from Hugo’s part of the world, who deeply understand the hardships Hugo has faced, his success makes them swell with pride.

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Kim Nugent (left), Jorge Eduardo Landeta, Francine Strickwerda, Rosa Leonor Armas, and Ana Lucia Mohebbi at Black Rock Arts Center, Germantown, PA

We live in challenging times, and the depth of Hugo’s strength and resilience explored in Oil & Water show us what is possible.  We need young people like Hugo to lead us all into a better future. Congratulations Hugo. You deserve this honor, and I and so many others are so very proud of you. We can’t wait to call you “Dr. Lucitante.”

Post provided by On Screen/In Person touring filmmaker Francine Strickwerda

On Tour: Lancaster, PA

21 Nov

October 12, 2017 | Oil & Water | Lancaster, PA

Oil & Water — Just Say “Yes”

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I was a little overwhelmed by the email asking if I would add extra time to my visit to Lancaster, PA, as part of screening “Oil & Water.” Would I be interested in speaking with classes on both ends of the screening? Could I arrive a day early, and leave a day later?

The mail was from Barry Kornhauser, and as it turns out, the only good response to an opportunity from Barry, is “YES.”

Barry is one of those rare, radiant, bright light people. He uses his power for good; connecting artists with audiences to thoughtfully explore the critical issues of our time, as the assistant director of Campus & Community Engagement at Millersville University. Barry is also a prolific playwright who recently received the governor of Pennsylvania’s Artist of the Year Award.

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A whirlwind of a man, Barry walks fast, knows everybody, and stops frequently to listen with genuine concern and delight. I am so grateful for the care Barry takes in planning unusual engagement, including two different nature activities for “Oil & Water,” a canoe excursion and nature hike with local naturalists, in partnership with the Lancaster Department of Parks and Recreation. Free “Oil & Water” movie tickets for the participants!

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The turnout for the film screening at the Ware Center theater was huge and enthusiastic. We were fortunate to have the documentary’s star David Poritz, founder of Equitable Origin (www.equitableorigin.org) join us thorough Skype to chat with the audience, as well as an impressive panel of experts. It’s not every day that filmmakers get to hear experts like these take the stage to analyze their films, and it was a pleasure. Many thanks to:

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  • Andrea Campbell, Board Member, Lancaster County Conservancy
  • Nadine Garner, Director of the Center for Sustainability and Associate Professor of Psychology, Millersville University
  • Eric Hirsch, Assistant Professor of Environmental Studies, Franklin & Marshall College
  • Mary Ann Schlegel, Naturalist, Lancaster County Parks
  • Chris Steuer, Sustainability Manager, Millersville University
  • Amory Lovins, physicist and chairman/chief scientist of the Rocky Mountain Institute

Named one of Time Magazine’s “100 Most Influential People,” Amory Lovins was a last-minute addition to the panel, since his reason for visiting Lancaster was to give Franklin & Marshall College’s Mueller Fellow lecture, “Astonishing Energy Futures and the Future of Global Change.”  Check out his TED Talk and prepare to be astonished: https://www.ted.com/talks/amory_lovins_a_50_year_plan_for_energy#t-50668

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Lastly, I want to thank Millersville University’s Changfu Chang and Jean Boal for having me visit with their documentary film and biology classes, as well Franklin & Marshall College’s Dirk Eitzen with his film class. Sometimes it’s easy to get caught up in the minutiae of life. Barry, his community, and this film tour reminded me of the gift of saying “YES.”

Post provided by On Screen/In Person touring filmmaker Francine Strickwerda

On Tour: Philadelphia, PA

24 Oct

October 10, 2017 | Oil & Water | Philadelphia, PA

Oil & Water — On the Road Again

As I arrived at the Annenberg Center for the Performing Arts in Philadelphia last week for the first screening on our new Mid Atlantic Arts tour, I checked the newsfeed on my phone to discover the latest threat to the planet. The Environmental Protection Agency had just announced plans to withdraw the Clean Power Plan, the Obama-era rule regulating greenhouse gas emissions.

It’s been three years since we released Oil & Water to the world. The film, about two boys coming of age as they fight for environmental justice in the Amazon, has never been more relevant, and not for reasons we could have expected. Environmental protections in our own country are increasingly under attack. Who could have predicted that the EPA would be run by Scott Pruitt, a man who had previously sued the EPA 14 times, or that we would have a president who campaigned on the promise of dismantling the very institution itself?

Oil & Water came about in part because there was no EPA in Ecuador, and the oil industry behaved in whatever ways they could get away with. Hugo Lucitante, one of the film’s main characters, and his tribe, the Cofan people, are still dealing with the crushing effects of oil pollution, and trying to protect the land they have left against the threats of oil companies and other outsiders. They’ve been pushed to the edge of their territory, and every day that passes brings them closer to future with a diminishing likelihood of survival.

After the screening, audience members wanted to know, “How can we help?” For those moved to help in Ecuador, there are a variety of non-profits that are working on the ground, including the organizations featured in the film, The Cofan Survival Fund (www.cofan.org) and Equitable Origin (www.equitableorigin.org). But one also need look no further than one’s own backyard, because these problems are everywhere.

In Pennsylvania where I’m touring the film, controversy swirls around fracking and new natural gas infrastructure projects like the Atlantic Sunrise Pipeline, that when completed, will carry natural gas through 10 counties. Despite opposition from farmers and other land owners, industry is seizing private land through eminent domain. Many are protesting out of fear for the safety of their drinking water.

As a filmmaker, I’m feeling especially grateful to the Mid Atlantic Arts Foundation and all our screening hosts for the opportunity to get out and talk about the work of Oil & Water’s extraordinary young stars, Hugo Lucitante and David Poritz. And especially for the opportunity to listen to the stories of the people I’m meeting in audiences and university classroom visits along the way. Energy issues and the care of our environment affect us all. As I like to say, we’re all in this together. Let’s figure it out.

Post provided by On Screen/In Person touring filmmaker Francine Strickwerda

On Tour: Blue Bell, PA

2 May

April 13, 2017 | States of Grace | Blue Bell, PA

There has been a lot of planning around this visit and I have received a detailed schedule from Brent Woods, senior director of cultural affairs that includes a tour of their communications facility with Gerry Collom who teaches filmmaking there. It’s well equipped and I enjoy getting to know Gerry a bit and hearing about the program and how it serves a very broad range of students.

Events conspire to bring us a small audience and I use that as an opportunity to turn the Q&A into more of a conversation, asking folks about their reactions to the film and anything that stood out for them.  A young man leads off by commenting how an accident like this could happen to anyone at any time and it’s clear that he can relate to  the experience of someone who is quite different from himself.

A retired occupational therapist comments on Grace’s tremendous motivation and how rare it is to see a patient like this.  I let her know how much Grace’s therapists enjoyed working with her and how much her attitude impacted the quality of care she received.  Before making the film, I hadn’t understood how much reciprocity there is between caregiver and care receiver and how much the patient’s attitude impacts the therapist.

We have an interesting conversation about Fu’s 5-year commitment to caring for Grace, something that has come up in other screenings.  One person sees Fu as being cold and withholding while most others see this as an act of generosity and good boundary setting, especially since Grace and Fu aren’t intimate partners in a traditional (or non-traditional) marriage.  This leads us to talk about the types of expectations that accompany relationships and how, in any type of relationship, it’s important to articulate and negotiate those expectations.

Toward the end of the discussion a woman expresses a view of Grace’s story that I haven’t heard before – that you can see a divine plan behind all of this.  Grace becoming a doctor, Grace and Fu becoming partners and adopting Sabina, the two of them being Buddhists and living in community all create the circumstances for Grace to survive the accident, be well cared for, and heal sufficiently to create an innovative pain clinic that continues to help people.

Post provided by On Screen/In Person filmmaker Mark Lipman

On Tour: Reading, PA

2 May

April 12, 2017 | States of Grace | Reading, PA

It’s almost 400 miles to Reading and I can’t believe I’ve logged close to 1700 miles already.  I’m finding endurance I didn’t know I had and am enjoying seeing the countryside in such a variety of locales.

The Miller Center is a great venue in the midst of a community that is almost 60% Latino.  An ESL class in civics makes up a significant part of the audience and I’m happy to be able to offer Spanish subtitles which a couple of the students need.  Brett, the technical director, is able to make this change at the last minute and we do a final sound check while people already seated in the theatre look on.

Watching the film with these subtitles is a first for me.  We’ve shown it with English subtitles for the deaf and hearing impaired and with audio description for the blind and visually prepared, but not in Spanish.  I’m very glad we can accommodate so many different types of audiences.

Talking with Brett earlier, I realize that I need to rethink my notion of audience and how to gauge the impact of the film. It turns out that Brett was on the review committee that helped select the films for OSIP and has a son with Cerebral Palsy, which Sabrina also has.  He brought the film home to show his wife and we talk a bit about raising a child with a disability and some of the life decisions he’s made to accommodate his son.

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For Q&A Cathleen Stephen, the director of the Miller Center, has invited Cynthia Huls, director of Visiting Angels, a home care service, and Zuleyka Lopez, one of her home care providers, to participate.  Cynthia notes that in her experience, the level of support Grace has through her many networks of friends and colleagues is unusual and that many of the people they care for are far more isolated. Everyone agrees that emotional support plays a critical part in caregiving and Zuleyka notes that there are times she just sits with her patients keeping them company.

Post provided by On Screen/In Person filmmaker Mark Lipman

On Tour: Lewisburg, WV

2 May

April 10, 2017 | States of Grace | Lewisburg, WV

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Two hundred miles later I’m in Lewisburg, trying not to make bad jokes about finally playing Carnegie Hall (yes, it takes lots of practice).  Walking around town in the afternoon, a gentleman asks where I’m from.  Turns out I’m talking with the mayor of 14 years, John Manchester.  He already knows about the screening that night and has it on his calendar, but a fundraiser that evening means that only his wife will be there.  Still, it’s great how the word gets out in a small town and how appreciative folks are of these kinds of cultural events.

Lynn Creamer, my host, has invited a nursing class to the screening and they enter as a group along with their professor.  In the Q&A one of them comments on how important it is to see the impact of Grace’s accident on the entire family, that in the hospital they only see the patient and only for a short period of time.  The film helps remind them that there’s a much larger context for the patient who is lying there in the bed.  Another student comments on how much she liked Sabrina’s (Grace’s daughter ) frankness.  During the screening I could hear lots of chuckling in response Sabrina’s teenage snarkiness and realized that they are not so far removed from that time in their own lives.

An older woman who has dealt with her own disability notes how much power you have as a caregiver and how you have to give that up as a patient.   She identifies  with Grace feeling like she is a burden and talks about how important it was for Grace to return to work and continue to serve others.

It’s interesting how the film speaks to people in a wide variety of circumstances.  A young man says that what really struck him was Grace saying, “If you can, you must” as she  struggles to maneuver in a bathroom.  I ask why this stood out for him, expecting something related to disability, but he replies that he has just moved to Lewisburg and lost his job shortly after arriving.  He is feeling quite depressed and discouraged, but Grace’s words inspire him to keep moving forward with his life.

Post provided by On Screen/In Person filmmaker Mark Lipman

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