On Tour: Washington, DC

4 Jan

November 5, 2017 | Mind/Game: The Unquiet Journey of Chamique Holdsclaw | Washington, DC

Atlas-IMG_0128-best

[photo, l to r: Goldsmith, Amdursky, Page-Kirby; credit: Doug Yeuell]

The Atlas Performing Arts Center has become the center of the recently-renovated Near Northeast neighborhood of Washington, DC.  Thanks to my host Doug Yeuell, an assembled diverse crowd of 40 or so packed into their small “black box” theatre for stop #2 on my tour.  It was a “live” crowd, with audience reaction indicating basketball afficionados as well as therapists, a family with 3 pre-teens and others.  Q&A moderator Kristen Page-Kirby of the Washington Post-Express began with provocative questions about the filmmaking process, and I delved into how Chamique and I worked together, especially at key crisis points during production, including one episode that almost shut the film down mid-production.  I was joined on stage by Loren Amdursky, MD, an adult, child and adolescent psychiatrist, who added insight and elaboration to the mental health journey that I depicted on-screen.  The feeling in the room, filled with educators, mental health professionals and who knows who else, spurred an energetic discussion among audience and panel-members alike about the need to de-stigmatize mental illness, and also how we should look at “mental health” as something that applies to everyone, and should be viewed as such, much like we view “physical health” as important to all, and not just the “absence of illness.”  A young African-American woman came up to me after the Q&A and shared her own mental health journey with me and related how much the film and Chamique’s story resonated with her experience.  It was the kind of screening that makes one feel validated in putting 3 years into production and another 2-1/2 (thus far) into distribution.  I felt like I was indeed reaching my intended audience and indeed making a difference in people’s lives.

Post provided by On Screen/In Person touring filmmaker Rick Goldsmith.

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