On Tour: Germantown, MD

2 May

April 8, 2017 | States of Grace | Germantown, MD

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I am actually driving from Durham, NC which isn’t on the OSIP itinerary, but I have managed to fit it into my travel schedule.  Father’s Day, a film I completed in 2003,  had an encore screening at the Full Frame Documentary Film Festival as it celebrates its 20th anniversary.  It screened there in 2004 and the artistic director has invited one film from each of the last 19 festivals back for their “thematic” program.  It’s a great honor and especially meaningful as this is a film about my father’s sudden death when I was 17 and a project I worked on for over 20 years.

During the production of States of Grace I often thought that the making of Father’s Day is what prepared me for it, both artistically and emotionally.  Both are films, in part, about sudden loss, grieving and finding meaning within a new and altered reality.  Father’s Day has no sync sound.  It is based on audio recordings of family members and our family doctor and visualizes the story using old home movies, photographs, documents and scenes in nature which I recorded – a snowfall, rippling water, and waterfalls.

When we started working on States of Grace, Helen and I agreed that we wanted it to be a poetic film, that it would need the beauty of nature to balance the challenging emotional terrain it covers.  We didn’t know quite what that would mean, but I think the nature scenes in States of Grace (snow geese lifting up from a pond, birds in flight, reflections in ponds, clouds) are direct descendants of the imagery in Father’s Day.

We get into some of this during the Q&A at BlackRock and it seems fitting to have this conversation in an art center (there has just been an artist talk in the gallery adjacent to the screening space).  The place exudes creative energy and the audience is clearly up for this kind of discussion.

I am also asked about privacy issues.  Did we have any concerns about showing the tough moments Grace went through?  I explain that Grace gave us complete permission to make the film as we wanted to and didn’t even see a cut until it was almost completed.  There was an enormous amount of trust and the issue we struggled with during the editing process wasn’t around privacy as much as balance – finding the right balance between the tough moments and the positive ones in order to create a story that was realistic and true to our experience of Grace’s experience.

For me the day is capped off with a performance of Ragu Dixit at BlackRock.  I had gotten a ticket to this sold-out performance weeks ago and am one of the few white faces among the Indians who have come out to see a cultural hero from southern India. This is a family affair with many young children and dancing in the aisles as the evening goes on.  People introduce themselves to me and sometimes provide translation when Ragu speaks directly to them in their own language.  If there is any question about the power of culture to unify, animate and uplift, it should have been laid to rest that night.

Post provided by On Screen/In Person filmmaker Mark Lipman

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